The Night Was So Long, the Day Even Longer

After the Night When I Wake Up, I'll See What Tomorrow Brings

Frida Gustavsson by Stefan Heinrichs for Glamour Paris, October 2014.

(Source: amy-ambrosio, via queenfrida)

Frida Gustavsson in ‘Spécial Mode’ by Stefan Heinrichs for Glamour Paris, October 2014

Frida Gustavsson in ‘Spécial Mode’ by Stefan Heinrichs for Glamour Paris, October 2014

(Source: queenfrida, via modellove)

laszlo-moholy-nagy

laszlo-moholy-nagy

(Source: inneroptics, via sadburro)

Yoshiichi Hara “Darkness of Modern Times” - “Utsutsu No Yami”

Source here: http://www.mikitimibooks.com/product/yoshi-ichi-hara-darkness-of-modern-times-2008-limited-edition

(Source: rumikokoyanagi, via genzai)

Naples, Italy, 1958
Ph: Leonard Freed

Naples, Italy, 1958

Ph: Leonard Freed

(Source: theaterforthepoor, via bartleby-company)

Saul Leiter

Saul Leiter

(Source: inneroptics, via mickpro)

Deborah Turbeville

The Staircase   1980   from “Past Imperfect”

(via rawforms)

Masao Yamamoto

Masao Yamamoto

(Source: regardintemporel, via gouldbookbinder)

Mark Borthwick, Helen, 1993.

Mark Borthwick, Helen, 1993.

(Source: cistro, via lonehands)

It’s not what you look at that matters, it’s what you see.
- Henry David Thoreau

(Source: purplebuddhaproject, via thisisthehorrorshow)


Anita Ekberg. La-dolce-vita, 1960

Elvis-kissing, 1956

Greenwich Village, 1963

Brett Walker

Robert Doisneau The Stairway, 1952

(Source: ratak-monodosico)

Hiroshi Sugitomo: Cabot Street Cinema, Massachusetts, 1978

Hiroshi Sugitomo: Cabot Street Cinema, Massachusetts, 1978

(via gh2u)

Justin Tyler Close